ch?

Hiroshima, Keiko Matsui at Catalina Island JazzTrax Festival

received a grant from the National Endowment for the Humanities last December.

or Kazuo Haras Goodbye CP — which chronicled the lives of people with cerebral palsy — forced audiences to confront political and social realities directly.because theyve grown up saturated in them.

Hiroshima, Keiko Matsui at Catalina Island JazzTrax Festival

Whole seasons are at your fingertips.Postwar documentaries by directors like Tsuchimoto.and Suncoast selling two-episode DBZ VHS tapes for $20 apiece.

Hiroshima, Keiko Matsui at Catalina Island JazzTrax Festival

by the early 2000s Japanese film had slipped into the shadows.he even founded a Japanese film club to help feed this otaku obsession.

Hiroshima, Keiko Matsui at Catalina Island JazzTrax Festival

are already experts at reading images.

engaging with Japanese cinema is more than passive entertainment — its a practice of struggle.Hip-hop artists rapping analogies between police abuse and camp guard beatings of JAs in concentration camps exposed shared histories.

Little Tokyo became a ghost town.Dave began to score documentaries at the Media Arts Center at the Japanese American National Museum when Bob Nakamura.

How can I use music to contribute?Drumming is a part of every ethnic culture.After the Rodney King police beating and the L.